Around 60 international commissions have been shot for editorial clients, covering:
America, Argentina, Baltic Sea, Belgium, Bulgaria, Canada, Croatia, Czech Republic, Denmark, England, Estonia, Finland, France, Germany, Hungary, Ibiza, Ireland & N. Ireland, India, Italy, Nepal, Netherlands, Norway, Poland, Portugal, Scotland, Serbia, Slovakia, Spain and Sweden.

Commercial clients have included;
Redbull - Capital One - Disney Radio (Chicago) - Warp Records - Sony / Columbia - Big Chill Records - 20/20 Records - Renaissance Records - The London Symphonietta - The Royal Theater - "City of Culture" Commission - INK Publishing

Selected Magazines (published-by & clients)
Vogue - Time Out - The Spectator - The British Journal of Photography - The Wire - The Big Issue - Jockey Slut - Sleazenation - XLR8R (usa) - Urb (usa) - Dj magazine - I-DJ - Knowledge - Mixmag - Clash - M8 - Blowback - Echoes - Ministry - Muzik - Seven - Select - Easy Jet in flight - Ryan Air in flight - Thomas Cook in flight - Groove Attack (ger) - Prinz (ger) - Slam (Holland) - Kampania (norway)

Selected National Newspapers & Books (published-by & clients)
The Guardian - Daily Mail - The Independent - The Observer - The Times - The Metro
- Dagbladet (norway) - Vice Festival Guide - Notion Festival Guide - Lonely Planet "Nepal" & "Amsterdam" & "Easy Trips" - Croatian Cultural Guide

Example Web use
Warp album artwork
- Redbull - Guardian.co.uk - Observer Music Monthly

Personal & Commissioned exhibitions
2010 - Slideluck Potshow, London, U.K. (´Wasted´ multimedia piece)
2010 - LookBetween (look3) Festival of Photography, Virginia U.S.A
, (`Wasted´ multimedia piece)
2008 - 'Festival' Covering 4 yrs of "Deep Fried Funk" music events, Void Gallery, Derry Ireland.
1999 & 02The Lace Market Hotel, Nottingham, bespoke room artwork for 100+ bedrooms
1997 & 02'Manduwala' - 6 years in the life of a Tibetan village in N. India. (London & Notts)
2001 – 'Club Class', Djanogly Gallery. peripheral activity at Europe's music festivals, 97-2001
1999 – Landscape photography from N. Wales auctioned at Nottingham Castle Gallery
1997 & 99 – Artwork, Pierre Victoire restaurants in Notts, Sterling, York, Cambridge and Derby

Teaching experience
2010 - mentoring and workshops online with The Compelling Image
2008 / 2009 – Year 2 Lecturer, Norges Creativ Fagskol teaching under graduates

2005 - Lecture tour for channel 4 televisions creative magazine, UK
2001 - "Aspire" outreach to groups through Nottingham Castle & City Library Galleries
2001 - Child Protection course undertaken
1999 / 00 - Forest School Nottingham, photographic therapy initiative for troubled teenagers
1999 - "Pigs Can Fly", collective formed for deprived inner city groups, funded by National Lottery
1991 / 92 - English / general teacher near Dehra Dun in India - 6 to 26 year olds

Biography

My passion for photography is rooted in my passion for people, interest in long-term projects and fascination with the development of this still young art form. The photography i most enjoy represents sharply observed moments which stand both as biographical record and also documents capturing the zeitgeist. The work which interests me most from others says as much about their time and their life as it does the lives of their subjects.

I left school in 1991 aged 18, traveled to India on VSO work to teach English at a remote Tibetan refugee settlement in the Himalayas, and began to explore the humanist themes in photography which first drew me to the medium in my pre-teens.

More visits to the village and India followed until the last in 1997 when, aged 24, I graduated with a Ba Honors degree in photography, established my first studio base in Nottingham and began planning a solo exhibition using the Tibetan work.

The ´Manduwala´ exhibition, held in Bloomsbury London, illustrated westernization and a growing permanence of the settlement over a 6 year period from 1991 to 1997, as well as the daily life of Tibetan people in exile. I had made 5 visits totaling one and a half years living with the villagers and documented pilgrimages, New Year celebrations and daily routines. The show, intended to highlight the impact of life in exile, gained heavy sponsorship from Kentmere, NTU, Kodak Eastman, (who subsequently requested a selection of prints for the private Eastman archive), and other specialist exhibition suppliers.

While putting together the ´Manduwala´ exhibition during 1998 I was living in a flat below musicians and DJs who´s events i began to photograph as a personal project. International commissions to document festivals and gig work soon followed from a pool of high-end magazines published in the UK and America. This personal work concerning electronic music was supplemented by commercial photography.

Now, with around 60 international and many hundreds of UK commissions undertaken, my work concerning youth culture & music is being prepared for book and exhibition. I´m digitally archiving my past work, lecture photography to undergraduates and am currently located in Norway, where I live with my lover, Beate, and our son, Tor Capa.